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“Raphael Benero: 2020 MFA Thesis Exhibition,” New Mexico State University Art Museum’s (UAM) first digital thesis exhibit, is now online.
The exhibition “presents a body of work by MFA candidate Benero “that invites viewers to engage in sculptures that replicate childhood objects negotiating cultural dynamics and Mexican American hybrid identity,” the museum said in a news release.
Visit www.uam.nmsu.edu/raphaelbenero-mfa2020/ to see the online gallery.
Growing up in El Paso, Benero quickly realized that no matter how hard his family worked, keeping up with the Joneses was never in reach, UAM said. Through observation of other neighborhood kids having lavishly expensive toys while he was left to his own devices, he became aware of unbalanced cultural and class dynamics at a very early age. The goal of Benero’s use of accessible materials, such as cardboard, stucco tape, steel and plywood is to elevate commonly used household objects to “art status” by making a genuine gesture of authorship that is not implied through mass-produced objects.
“At one level, Benero’s work is deeply autobiographical, investigating his ambivalence for the nostalgia and desire these toys provoke as objects produced by a capitalist system invested in the production of that desire,” said NMSU Associate Professor Art History Margaret Goehring. “At another level, they point to the stereotypes that are imposed by this system, reifying lived experience into a facsimile of identity.”
The NMSU Art Museum (UAM) website is currently featuring the work of five bachelor of fine art graduating seniors: Shaunia Grant, Katelyn LaPage, Olivia Lemmons, Alexxis Ortiz and Jose A. Suarez.
The show, “Fluxx 2020 BFA Student Exhibition,” is online at www.artdepartment.nmsu.edu (click on “Fluxx”).
“The five artists, forming the spring 2020 BFA cohort at NMSU, each engage in research examining their understandings of themselves within a complex world made all the more convoluted by the incursion of COVID-19 into their practice,” said NMSU Art Department Head Julia M. Barello. “United in their clarity and commitment that saw them through the completion and documentation of their work with a minimum of tools and a lack of studio facilities, their accomplishments are, with more reason, laudable given these challenging times.
Here are the five artists:
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